Tuesday, February 24, 2026

Quantum Tango part 4: Octopi

 Two weeks later I have a new driver’s license and credit cards. I am early for the milonga. It is in the heart of the city, and I am having coffee and a doughnut at a Spanish café that specializes in spicy potatoes and espresso. It is eight p.m. and the dance starts at nine; I’ve got an hour to kill.

Much to my surprise, Anya walks into the café and heads straight for my table.

She fires off an order in Spanish at the barista and drops into the chair across from me with theatrical exhaustion. She’s breathing hard, dressed in what appears to be the same torn T‑shirt from the last time we met—though it doesn’t look dirty.

“What’s good, fossil?” she says, flashing a grin. “Miss me?”

I blink at her. “What a coincidence. In a city of eight million people, you just happen to appear at the same café as I am?”

She waves a hand. “Relax. It’s not fate, it’s Wi‑Fi. I pinged your phone, slid into your carrier’s HLR, and voilà. You’re trackable. It’s basic cyber sleuthing, honestly.”

I nearly choke on my coffee. “You hacked my phone?”

She nods. “Home Location Register. Every carrier’s got one. Once you’re inside, it’s basically admin mode. I toggled your GPS so I could follow your vibe in real time. You’re welcome.”

“Turn it off,” I say. “Immediately.”

She studies me for a moment, then shrugs. “Okay, okay. Boundaries. We love to see it.”

I lean forward. “I got some info you might find interesting but first, what did you want to talk about?”

“If it’s about the purse snatcher,” she says, lifting one eyebrow, “I’m already there. She’s still running around. Honestly? It’s chaotic.”

I hesitate. “All right. I wonder how we should proceed now that we’ve discovered a brave new world.”

She leans in, lowering her voice. “Here’s the meta. We’re in a game. Step one: figure out who coded it. Step two: figure out if we’re playing checkers or 4‑D chess. Step three: move accordingly.”

She taps the table lightly. “Egyptian mythology is trending on the other side. Heavy theme. So far I’ve clocked three main entities: Ma’at—you’ve met her—plus Isis and Ra. I’m ninety percent sure they’re running the server.”

“And that means?”

“It means we’re not glitching randomly. There’s structure.”

The waiter arrives with her espresso and a cannoli. She thanks him and stirs the foam.

“It’s a whole new operating system,” she continues. “We’re alive over there, which suggests it’s relatively safe. Or we’re just lucky and something big and mean hasn’t noticed us yet. Could go either way.”

She takes a sip and closes her eyes briefly. “Also, side note: there are octopi.”

“Octopuses?”

She shakes her head. “Octopi. Plural, dramatic. They’re everywhere. In water pitchers, flower vases—anywhere there’s water. It’s subtle but once you see them, you can’t unsee it.”

“That’s… unsettling.”

“It’s aesthetic,” she replies lightly. “Unsettling aesthetic.”

She brushes foam from her lip. “Anyway, the thief boosted a Hermès bag at Leslie’s milonga across town. An actual Hermès. The energy in that room? Nuclear. Leslie’s going to need emotional support after that.”

I sit back, absorbing mythology, cephalopods, and high‑end fashion crime in equal measure.

“How many people know about this?” I ask.

“Low-key, a ton of people tap into it,” she says, pointing in the air with her tiny spoon, “they just don’t clock what’s happening. It’s like their brains don’t have the update installed. They feel something glitch, something bigger, and instead of leaning in they just vibe and call it chemistry.”

She shrugs.

“I can sense them when they phase in, but it’s faint—background noise. They’re wrapped up in their partners, stuck in soft-focus mode. But you? When you crossed over, it was crystal. Full bars. No lag, no distortion. That kind of signal? Basically mythic. You're special.”

She tilts her head. “Here’s a glitch. I can’t move freely over there. I’m mostly observer‑mode. Limited mobility. It’s kind of frustrating. Like, NPC to the max. ”

“Same here,” I said. I only understood about half of what she’d just explained, but I caught NPC—non-player character. Video game terminology. That I could track. “Maybe we should talk to the thief directly. I think I danced with her last week. My wallet disappeared afterward.”

Anya’s eyes went wide. “Whoa. Okay—hard whoa. She really ran your pockets? That’s feral behavior, fossil. But you’re not wrong. We need intel. What’s her build on our side?”

“She’s tall. Nearly my height. Blonde. Big bouffant hair. Skin stretched a little too smooth—Botox, facelift, fillers. Meticulous work. Almost… curated. But she could dance. Effortless.”

Anya nodded. “Villain with aesthetics. Got it.”

“It may not have been her,” I continued, “but it felt like her. When I tried to cross over that night, something blocked me. Not random resistance—intentional. Like someone holding a door closed.

“And then it opened. Suddenly. I crossed. I have the distinct impression she allowed it—just long enough for me to glimpse her aura. The difficulty is, on the other side, I can’t always match the glow to the body. Energy doesn’t map neatly onto faces.”

“You think she was playing you,” Anya said.

“Yes. I do.”

We agreed to make contact.

She took my phone, entered her number—Anya Curie Denydov—and paid the bill before I could object. For a man raised to believe the bill was his territory, it was mildly emasculating. My pension relies heavily on Social Security, so gratitude won out over pride. Also, she was young and beautiful, I would forgive her everything. That's how it is between old men and young women.

She left for the milonga. I followed shortly after.

The ballroom ceiling soared high enough to echo stray laughter. By the time I arrived, Anya was already dancing. Four tables to my right sat a woman in an enormous hat—so large it concealed her face with the slightest tilt. I caught a glimpse of her profile. Recognition stirred my spidey-senses, that part of my Id that identifies with Spider Man.

The tanda ended. I laced my shoes and went hunting. I met her gaze and offered a cabeceo. She accepted. Up close, I was certain. She was the Botox Lady.

Navigation proved difficult; her hat was a steering hazard. I guided us toward the center of the ronda where space opened. Once our rhythm settled, I easily transcended to the other side. It was getting easier the more I did it.

On the other side she shimmered. Her aura burned a muted violet, less open than Anya’s but unmistakably aware.

A voice unfolded—not heard, exactly, but felt.

“You peer with such earnest confusion,” it said, each syllable elongated, almost musical. “How quaint.”

“Terpsichore,” I murmured as her identity revealed itself to me.

“Yes.”

She disclosed herself in layers. Terpsichore. A quantum symbiont. The host—Victoria Van Hovencamp—anchored her to this plane. My wallet materialized between us. A blush of rosey red spread through her aura.

“Your anchor. We borrow only what vibrates.” She extended it to me with an invisible hand.

I hesitated—then took it. The weight felt real. Solid. I slipped it into my back pocket. Interaction. I had done it. When my fingers pressed the leather, I snapped back into the ballroom, still in Victoria’s arms.

She was difficult to look at but exquisite to dance with. She folded into me with practiced precision. Breath quick, palms warm and sweaty. There was a heat to her—controlled, deliberate.

When the tanda ended, she lingered within my embrace.

“That was lovely,” she drawled softly. “You may ask me anytime.” Her gaze dipped with bold appraisal to my very visible arousal before she returned to her seat.

Near midnight, just before a visiting Argentine couple was scheduled to perform, I found Anya again. She was pacing.

“I can’t cross,” she muttered. “It’s like the door’s patched.”

Before I could respond, she seized my hand and pulled me into a side antechamber—then into a coatroom heavy with the odor of wool and perfume.

Her frustration was kinetic. Urgent.

What followed was less choreography than collision—impatient, searching. I barely understood how we reached the floor. I only knew she was intent, focused on breaking through whatever barrier had locked her out.

When she climaxed, her body went still—then distant.

I felt it when she went quantum. Less than a second later, she returned, collapsing on top of me, breath shuddering. She rolled off me and we lay there in the dark.

“What was that about?” I asked finally.

“I couldn’t get across all night,” she said, staring at the ceiling. “I was desperate. Turns out intensity is the key.” She glanced at me. “You good, boomey? I might’ve gone full send.”

“I have asthma,” I said, apologetically, “but I survived.”

She huffed a laugh. I don't know why I felt I had to apologize for anything. What happened was a wonderful gift for an old man. I was happy just to stay hard enough for her to finish. It felt like marriage sex. I came first but stayed turgid until I knew she was close and let loose on my second orgasm with enough drama to make her buzzer ring.

“She was there,” Anya continued, shifting onto her side, we were in total darkness but I could feel her eyes staring at my face. “Hard to read, but I caught something. She’s into identity anchors—objects that stabilize narrative selfhood. Wallets, bags, heirlooms. She’s not stealing for fun. She’s calibrating.”

“Calibrating what?”

“Balance. What for? I don't know. And get this—she’s a Zombot.”

“Come again?”

“Zombie host. Quantum symbiont. Dual occupancy. It’s a whole ecosystem.”

That aligned with what Terpsichore had shown me but I think I understood it better now that she reaffirmed it.

Anya’s thoughts spilled out rapid-fire.

“She’s aligned with Isis—balance-keeper vibes. And Ra’s in the mix. The octopi are agents, I think. Gatekeepers? Surveillance? I can’t hold the full architecture in my brain at once. It’s like trying to run twelve tabs on one processor.”

She stood, adjusting her clothes in the dark.

I switched on my phone’s flashlight. The light carved her out of shadow—sharp, alive, unapologetically present. Her pert breasts bobbled as she pulled her T-shirt down and flashed me a quick grin.

Applause echoed from the ballroom. 

We slipped back into the crowd. She insisted we dance again.

“Now that the blockage is cleared,” she said, “I want to test range.”

During the final song of the tanda, she caught the quantum wave—then pulled me through with her. The transition was smooth. Our auras merged—interlaced like binary stars. Together, we were amplified.

The octopi were everywhere now, luminous and watchful.

A new presence formed in the room: an old man’s aura, spherical and complete—less vapor, more planet. He radiated a life fully inhabited. He seemed confused. Blinded by something we could not see.

The octopi all turned toward him, one eye open, bright, glowing, pupils wide. A door opened by the water pitcher at the back of the room. White light poured out—impossibly bright and white.

The old man hesitated, then stepped through. The door slammed with a vacuum crack that shook the air. Thunder clapped and were expelled.

The music ended and we sat down together. Moments later, a man collapsed in the center of the dance floor. It was the man we had seen in the quantum realm.

Screams. Someone shouting for space. A defibrillator. “Clear!”

The body jerked.

Again. “Clear!”

Paramedics flooded in. The room emptied in stunned silence. The dance was over.



That's all for now, let me know if you like it, until next time,

Peace, Love, Tango

The Kayak Hombre

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Wednesday, February 18, 2026

Part 3: The Mystery of the Quantum Tango Thefts

 If you’re new to my blog let me give you some of my background. I’m a divorced father of two grown daughters who had to learn how to dance in order to keep from becoming a monk. At forty-eight years of age, I got laid off with two girls in college, a mortgage and a tango addiction. I had begun learning how to dance three years earlier. I dropped a lot of money on ballroom lessons and was educated in the footcraft part of the social arts. I had been a whitewater river guide in my pre-parenting life and dancing was a total tangent from the circle of my life. A river still runs through my soul and what I learned from it pervades my thoughts. Or maybe, my life is a river and not a circle after all.

I’m not the greatest writer so I can’t quit my day job, but I find it relieves stress and stress kills. I’ve always been a writer since fifth grade, penning book reports for my friends and enemies for a dollar. I guess it’s kind of like journaling, a way to figure out what I believe of what I’ve seen/heard/felt in the course of raising children to fly the nest. I am the nest. I’ve always been a little bit cosmic and a little bit holistic, probably more of the former and less of the latter; I’d rather contemplate the probability that vegetables are conscious and the moral implications of consuming them than committing to becoming a vegetarian.

If you don’t know much about the world of dance you wouldn’t know that tango is a totally different animal than the other types of dancing: stripping, showbiz, ballroom, latin and the wedding dancer. I started a blog fifteen years ago to cope with the stress of becoming a tango dancer. Tango is like a martial art, it is tai chi for couples moving to music, it is the study of movement with another person. You can learn to cha-cha-cha in a month and be quite good at it. Five years into a tango education, you’ll realize that you’re only a beginner: it’s a humbling epiphany.

As I roamed the country in search of work as a telecommunications technician for cellular networks, I danced tango and wrote about my experiences; it was very therapeutic. I was always interested in science and it influenced my writing. I wrote about tango fantasies, wiccans, zombies, the Law of Attraction and quantum mechanics. Several times I received feedback from nasa.com email addresses.That inspired me to keep searching for the one theory of how the universe works. 

To me, tango and physics are endlessly fascinating and, recently, I learned that endless is much further than I thought. The nexus of science and tango is consciousness. The fundamental building block of all matter is a vibration in the quantum field, not a particle, as I was taught many moons ago. The tango connection is the joining of two bodies in a physical, emotional and spiritual way; it is the merging of two consciousnesses. Consciousness, in the quantum world, is responsible for the collapse of the wave function that allows science to measure all that can be measured. 

Heady stuff, I know, but don’t let it scare you. I’m going to reveal the secrets of the Universe. .

Two weeks ago, I discovered a way to slip into an altered state while at a milonga, the place where tango dancers gather to exercise their art, and hoped to make scientific observations. Since then, I have learned that Reality is a lot more ethereal than we all knew. The world we live in is a matter of probabilities and decisions, it makes science obsolete and puts religion in a whole new perspective. I used to be concerned with inches and millimeters, now I struggle to envision alternate theories of existence. Am I just a player in some sort of simulation, like a cosmic video game? Is all that I see a holographic projection on a two dimensional screen? Am I a star in my own reality show or am I just an NPC, a non-player character? One thing for certain is that the only tools I need to make further observations is my mind, tango and time. This is great because I’ve got access to a lot of those things now that I am retired. Scientific study requires resources that I don’t have: money, a degree and/or recognition that my efforts are justifiable. I sometimes read about past inquiries into the fundamental nature of reality. In the past, that was the role of religion, then alchemy and finally, science. It’s possible that past civilizations had a much clearer understanding of the true nature of our existence than we ever knew. Our minds are so much more complex, and, paradoxically, simple, than we have yet to comprehend.

I went to a milonga last weekend and met another person, a young woman, who also was able to enter the same altered state as I and she was present at the dance. We hooked up for a few tandas and she brought me up to speed on what she had learned. I should not have let her leave after our last dance. I was so caught up in the old man/young woman dynamic that I didn’t think to sit her down and grill her on what she knew. She was so young and healthy, as well as the fact that she could enter the quantum state with me, that I could barely keep my sex drive from kicking in and taking control of my words and my deeds. I’m old, not dead. If this shocks you, then you should probably stop reading.

Being able to dance tango well is the key to visiting this other dimension and it helped me to understand her better due to our age difference. When she spoke, her words were salted with so much slang that it was almost as if we spoke different languages. If I didn’t get the jist of her words here, I would when we were both on the other side where communication happens mentally, without the need for speech. Being familiar with her in the quantum world, where all thoughts and desires are on display, was extremely seductive. It was all I could do to tune out the song and focus on the firmness of her breast as it brushed against my chest, or think about the mechanics of the action of her hips as she rotated around me within my embrace. I don’t think I could have done it as a newbie, I would have led moves outside the context of the music, ignoring the rhythm and melody that is essential to a good tango performance, focusing instead on moving her body against mine.

I guess I did the right thing, letting her go. Being aroused as I was when she departed, I am sure the only words I could speak were those constructed by the little man in my pants and we all know where he wants to go: to bed, and not for rest and relaxation, he’d want to party if we got there. In my travels, I had the opportunity to enjoy a sexual tryst with a much younger woman than me and it was a lot of work. It was great but the memory is one of exhaustion and that is a little bit of a turnoff.

That was then and this is now and now I want to get back to the milonga in the worst way. Weekday dances are not as heavily attended as the weekend crowd and oftentimes there are entirely different people in attendance. I’m sure the infatuation aroused in me by the young woman was part of the reason for my anxiousness, but not the sole reason: I’d been to another dimension and experienced interdimensional beings. I was curious as hell and hungry like the wolf for answers. My parents need help more than ever now that I’ve moved in fulltime but I’m still finding a reason to go to a dance a hundred miles away, leaving them to fend for themselves at night. I tell myself it won’t be every night and I hope I’m right but you never can tell with tango: the heart wants what the heart wants and sometimes the heart makes choices for you.

The dance was in a smaller venue, no foyer or anteroom, everything was in one room. There was a small stage at the far end of a wooden floor the size of a basketball court, which is what it was, and on the stage was a DJ stand. There were benches lining the walls on either side instead of cocktail tables and chairs. A few round tables crowded the side by the entrance as well as a banquet table for registration and the obligatory compensation of twenty dollars to be deposited in a large bowl guarded by no one. That’s a peculiar amount of trust the event organizer is putting in the participation of complete strangers but that’s how some people are. I think they feel strongly that making compensation voluntary will help keep their karmatic path clear of debris. I have a strong feeling they may be right, especially after learning what I know now.

Many a priest/guru/shaman has claimed the ability of transcendence through prayer/meditation/incantation but none could prove it, at least, not by me ... .until now. Dancing, in particular, dancing tango is akin to prayer/meditation/incantation. What makes it easier for the milonguero, someone who seeks out milongas like a rebel to a cause, is the addition of movement and bodily contact, as well as the joining of two consciousnesses. The rhythm underneath the melody makes the perfect vibrations at the quantum level to allow a conscious mind to experience a dimension without time, a realm layered over the current reality where thoughts and desires are revealed for all to see/hear/feel. I think the second consciousness super-charges each dancer's mental state to allow them to ascend to the next level. I haven’t been able to make the transition by myself yet and I’m pretty sure it can’t happen so I an limited to the milonga as the place to conduct my studies.

I don’t know what my partner feels when I enter the quantum space alone or not alone. When I am there, time stops: I go in on the beat and exit before the next beat because time has not passed for me in the present. It always feels like something is missing when I alter states. That’s because something is missing: time. It’s an odd feeling when there is no time. It’s a background noise you don’t notice until it’s gone. It’s like an echo that never finds a surface to return from.

Forty minutes later, I was holding a woman more my age who, up close, looked to be a Frankenstein of cosmetic surgery: d-cup mammary inserts, skull-tuck facial lift, painted eyebrows and blond right out of the box. She had no training but she was absolutely delightful to dance with. Her connection was so complete that I found it enticing. I could tell right away, when I led ocho cortado, a common movement, and she stepped back instead of crossing, that was the big give away. Ability is clearly evident to those who have it and those without it are oblivious to the need for it, if their partner, as they should, adapts. The Dunning-Kruger Effect is what makes it possible for two tango dancers of disparate abilities to enjoy the same encounter with equal intensity. She was typical of the paradoxes one experiences at the milonga: totally plastic yet equal to Yoda in the mental/physical/emotional bond of the tango connection and embrace.

I was baffled and astounded in equal measure. I didn’t embrace her, I wore her like a coat. She melted onto my frame like a crayon on a hot radiator, oozing je ne sais quoi; that’s French for I don’t know what and I still don’t know what. She is like pineapple syrup on a banana split, sweet and sugary on top of sweet and sugary. She was so good to dance with that I assumed I could easily alter states but I could not. It was like she knew I wanted to but was not allowing me to enter the timeless dimension.

I didn’t know what to think. Ten seconds before the last song of the tanda ended, I absently fell into the next dimension. It was like I was leaning against a wall and unexpectedly found out it was a prop on wheels. Suddenly, I was aware of another presence very near to me. It was the thief. I couldn’t believe it, I was sure she was captured the other day but here she was, right in front of me, her aura floating in space. Just as suddenly, I was back in the arms of the blond with nine seconds left as a piano tinkled an ending. She waited the appropriate amount of time before releasing me from her embrace, two seconds after the last note, and withdrew her body from mine. Tilting her head, she seemed about to say something before seemingly deciding not to. She turned on the ball of her foot and walked off.

Too late I realized that she was the thief and that she had stolen something from someone at the milonga: my wallet.


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Sunday, February 15, 2026

Tango and the Definition of Everything, (part 2 Quantum Tango series)

 Another weekend, another study of the quantum plane. The world as I knew it just two weeks ago is a distant memory, kind of like a Trump news cycle: new stuff happening all the time that make recent events seem like distant memories of an innocent and bygone era. Fourteen days ago, I believed that the smallest particles were particles and that there was no such thing as right and wrong, good and evil, that they were simply constructs for organizing civilizations, not immutable truths set in stone. 

I live in a brave, new world now, more like the Wild West and less like civilization. It used to be that physics ruled the physical realm but now I know that is not true, now Consciousness is Everything and Meaning is Reality, for real. Mind blown, shoes and socks blown off and gone with the wind. To tell you the truth, I don't really understand anything anymore, be it quantum mechanics or national elections. God is coming back into my worldview because its the only thing that helps make sense of it all.


The tangueras, women who dance tango, are warming up to me the more I frequent their dances. There are a lot of dancers here, which I’d guess to be over two hundred. I am finding good partners who make it easy for me to slip into the quantum plane and it gets easier the more I do it. Connection is key. I’ve sensed the purse snatcher a couple of times but have not caught her in the act. She comes in and out of focus like a lightbulb in a loose socket, flickering. It’s hard for me to nail down where she is and keep her in my sights.


Suddenly, there is a new actor on the stage. It is a woman and she radiates strength. Her energy is strong and clear. There is no doubt that she is here. She seems young in my mind— early twenties at most — but there’s something ageless in her thoughts, like time doesn’t stick to her.

She exudes a larger presence than mine, it’s like I’m a circle and she’s a much bigger circle. Her aura is faint and iridescent, like a ghost, but I definitely feel her in the room. At times, the image of a young lady with thick black, curly hair, flashes in my mind like a street crossing sign. She is telling me it is safe to cross. I am confused.

Her eyes are unsettling, their color shifting in hue and in depth. Sometimes they’re slate gray, sometimes frost-blue, sometimes reflective like polished chrome. When she focuses on me, it feels like she’s calculating probabilities in real time. Her locks are extremely thick, falling on her neck and shoulders like waves in an ocean of swirls or an obsidian Cowardly Lion. Her tresses jiggle and bounce as if it has a life of its own.

When I think of the Cowardly Lion, I feel her laugh and an image of a male lion with its mane shaved off completely appears in my mind.

It gets colder as I draw near to her. Not cold enough to notice consciously. Just enough.

When she turns her attention to the dance floor, the lights flicker violet for half a second but no one notices except her. The room is cloaked in darkness as she suspends time, enjoying the flicker a little longer before letting the moment go like it was nothing.

I say to myself, “that was cool.”

In my mind, the presence says, “I’m refrigerated,” chuckles softly and moves away from me swiftly.

Across the room her aura reappears just as a slender hand emerges from out of nowhere to snatch a purse but not before it is caught by the presence. The purse snatcher is revealed for a moment, a small sphere of aura attached by a tangent to a larger sphere, then both are gone.

I become aware of another aura nearby, it is nearly the same size as mine. Her signal is strong and she feels close.

“You should ask me to dance,” she says. “I’m the one in the t-shirt.”

I look across the room and see her. She is also young but not as young as the presence. I guess her age to be in her mid-thirties, far too young for me. She has short, honey-blond hair, adorable doe-y blue eyes and a nose that is large and lovely, a proboscis that could easily make me write bad checks, dressed in a white t-shirt torn at the left shoulder, barely concealing her bouncing bosoms.

I shoot her a cabeceo and she accepts with a nod and a big smile. 

I snapped out of the quantum state like someone had flipped a breaker. She was too young for me—objectively, undeniably—but that smile made objectivity irrelevant. In an instant I’d gone from observer to participant. The experiment was no longer under my control; I was inside it, subject to its variables, and I had no idea what the outcome would be. One part of me was wildly optimistic, charging ahead with predictable enthusiasm. The rest of me—the portion still pretending to be rational, still clinging to what I thought was reality—felt a tremor of trepidation.

She was the kind of woman a man adds to a private list of impossible wishes, but experience has taught me that “impossible” often comes bundled with complication. The unknowns have a way of introducing themselves at the worst possible moment, and usually with teeth. Tango women, in particular, are not for the faint of heart. I’ve reached for that flame before. I know exactly how hot the stove can get, and how deep the burn can go.

Walking over to her, I tried to muster a smile and failed as I struggled to appear calm, cool and collected, like dancing with gorgeous, young women was something I did all the time. She saw through me and exuded amusement. It’s a good thing I don’t let my insecurities get in the way of dancing some good tango. We joined and wrapped around each other in a warm, sensuous embrace. I led with a long, slow side-step as our bodies took time to sync with the other’s hips, backbone and heart. Our posture transformed into a singularity as we moved to my left in a super-slow-motion.

I led a change of weight and she let loose a sigh, expelling the air from her lungs to shrink her frame and wriggle ever more closely onto my torso. To my surprise, I was keeping it together well enough, receiving her body with confidence and an appropriate amount of delight. I took her to the cross, led some ochos into a swinging and dynamic full stop. 

We held each other passionately as she moved her head near to my right ear and whispered, “The large presence is Ma’at. She is the goddess of justice and she is here to apprehend a woman who has been stealing purses and jewelry from milongas in several dimensions.” She paused for a second, then began again, saying, “By the way, you got good coms. Your lead is fire, boomer, no joke.”

Her incongruent statements fogged my brain for a bit before I could recover my bearings. I told myself that I could handle the situation if I could just keep each thought in its own box. The presence’s name is Ma’at and it’s a goddess. That’s not something you come across everyday but I’ve learned to expect the unexpected at a milonga. Ma’at is a goddess: okay. Good coms? I’m not sure what that means exactly but I like the way she said it and, if it makes me feel good, then it is good.

We danced a couple of tandas. She made me feel good when she stood in front of me after the last song of the tanda ended, not indicating the slightest bit of discomfort with the age gap between us, or the fact that she was fit and I was lumpy. We were two people who could transcend our physical forms and join in a fashion that could compete with a sexual coupling. [Tango and sex are similar but not the same animals.] We talked while we danced, sometimes with words and sometimes in our minds,  drifting back and forth between the quantum state and the present, seemlessly. I felt honored to be allowed into her mind and tried to hide my primal side as best I could. She did a good job of ignoring the wolf in my id without giving a hint as to how she really felt about it. That was encouraging. Maybe not being automatically discounted as a love interest was a sign of respect. No matter. She made me feel good.

She could tell I was confused about the quantum state and tried her best to explain some of it while confessing to being a newbie herself. She was a professor of physics at a well-known leading university and she was from Spain, though I detected no hint of an accent. She called the quantum state ‘the other side’ and said it was a place where time didn’t exist; that communication happened telepathically, sometimes all at once, without words, just images and feelings instantly filling a mind with what it wished/needed to know. 

She said her name was Anya, that she was twenty-nine and had discovered the quantum state a year ago in Berlin. She admitted, with a little frustration, that she entered the unknown dimension often, but alone. When she did encounter another, they were always too faint to hear. That’s why she said I had good coms. That meant I was easy to read/see/feel. I was clear.

There was some structure to the other side, she said as we moved around the room to tango music, not bothering to disengage when the music ended, waiting within my embrace for the next song to begin and the crowd to start moving around the room in a counter-clockwise direction.

I told her what the presence, Ma’at, said to me, that she was refrigerated. 

Anya laughed and said, “Ma’at’s cool! She’s got a sense of humor and she’s fire, slaps hard and clean, dawg.”

Oftentimes, I had to wait until we slipped into the quantum realm together to get the jist of what Anya was saying, her words saturated with the slang of the younger generation. 

I asked her if it was safe on the other side. She looked at me with those beautiful doe eyes and tilted her head like I’d just asked whether the ocean was “wet.” 

“It’s okay,” she said, “but like… here’s the thing. When you’re jumping dimensions, you kinda have to figure out the weird little quirks of each ‘shell’ or however the other side refers to the operating instructions of these other realities. I’m getting cosmic software update vibes. Low-key, it helps if you know a bit about Egyptian mythology and actually have a solid moral compass, or some religion, maybe, yeah bruh, because there are consequences here. And when the Reaper shows up with that punishment energy? Yo! Dodging her is not exactly an option. Also, time gets super glitchy in this particular place. You’re either in the present or soft-launching into the future—never the past. The past is basically off-limits.”

“There was a purse snatcher but she was meh.” she said, continuing, “Fairly local crime, I’m sure. Petty. Amateur hour. She tried to slide but Ma'at slapped her down like a dawg, boomer. Crossing dimensional boundaries. That upgrades the charge. Balance must be restored. That is The Way.”

I replied, “That is The Way.”

She smiled and said again, “Good coms, dawg, good coms.”

At the end of our third tanda together, I was absolutely infatuated with my young partner. How could I help myself? She was smart, young and pretty and I didn’t care to feel ashamed of my passion on display. This was tango and I’d been here before. You can’t lie to tango and still dance it like it’s supposed to be danced. Intense emotions are the norm in good tango encounters. I was nearly off the rails in my attraction to her but I kept the train on the tracks. I could sense that she appreciated my feelings, it’s hard to hide them in the quantum realm, irresistible allure and the fight for control. She knew instinctively that I was at my breaking point and she liked it. That’s tango. She didn’t know that I was about to say something uncool, like “you’re so pretty,” but I managed to put a finger in the hole in the dike before it was too late.

When the last song of the last tanda ended, she withdrew from my embrace, which I could not have done on my own, gave me a strong, platonic(maybe?) hug and said, “Cool people make slang, we don’t just sling slang, it’s all about the coms, always good or mid, never bad. Stay frosty, my friend.”

Turning away from me, she walked off with my heart in tow. It took me a while to shake that feeling but it felt so nice and warm……and wonderful and so much more. I finally regained my sea legs on the Sea of Love and confronted the cold hard facts: I was old and poor, nothing was going to happen yet everything did happen. Two weeks ago, everything would have meant something totally different. Now that I had been to another dimension, watched the arrest of an interdimensional criminal and spent time on the other side with an attractive tanguera, everything had a new meaning. Yes, everything had a new meaning but I had no idea what the new definition was. My knowledge had increased incrementally while my ignorance expanded exponentially.


That’s all for today, until next time,

Peace, Love and Tango,

The Kayak Hombre



P.S. I’m running a free book promotion on Amazon until 2/19/2026. You can download all my books without charge. What a deal!


Here’s a link to my latest book: Kokapelli and the Wiccans’ Kitchen at the link below:

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