In
Chicago, at a milonga called ‘Esquina’, I had a very delightful encounter with
a woman who played the part of the tanguera very well. I invited her to the dance
floor with cabeceo, walked over to her table and offered my embrace.
I wasn’t
sure of her ability so I held her in open position. Two minutes into the first
song I could tell she was not satisfied with open embrace, she was having
trouble discerning my lead. With a stern demeanor, she pulled me in closer to
her ample bosoms. I enjoyed this very much but there was nothing sexual in her
body language, she was merely getting me to a position where she could read my ‘intention’
much more clearly.
In
between songs we didn’t speak at all. I refrained from smiling or any other
show of emotion. She was a stone, staring past me at a window or the wall. The
music began again and we joined in close embrace. We were not in total unison
and my lead was not perfect but the music was good. I was dancing tango, the
stress of traveling, after a week of night shifts followed by five hours of
sitting on a bench in a stadium listening to speeches, began to ebb away.
The
tanda ended. We both waited for the cortina to begin before nodding at each
other and parting company. That was the best dance I had in Chicago but I would
not know it until the flight back. Most of the women I danced with in the Windy
City were charming, graceful and educated in the ways of tango, yet only this
encounter was unique and memorable.
No comments:
Post a Comment