I’d like to talk about the perception others
have of dancers as compared to the perception dancers have of themselves. My
sophist musings stem from a Carlos Gavito quote about the tango embrace being
suggestive. He cautions that the dancers do not make it personal; they instead embrace
the music. When non-dancers, like I used to be, watch dancers move, they see
sex. They think of themselves in that position and realize they would be
aroused if they moved so well with another person. To the uninitiated, merely
observing conjures images of bedroom activities; to them two bodies moving to
the music are sex machines.
Now that
I’ve become a dancer, I must tell you that what the non-dancer believes is mostly
false.
My very
first dance partner was a blond-haired, Panamanian beauty whom I’ll call Lady
GaGa. Lady GaGa was so incredibly sexy I could not prevent myself from
commenting on her looks. She took the compliment as a matter of fact and gave
me a little history lesson on the women of Panama.
When the
Panama Canal was being excavated, there were lots of men with large paychecks and no women
to fleece it from them. That didn’t last long and soon the country was
inundated with European ladies of the night: the proverbial fools were quickly
parted from their very real dollars.
These
women weren’t outcast ‘stadda babas’ with handkerchiefs holding up what little
was left of their hair and choppers carved out of a block wood in place of
actual teeth. No, these were hotties and they had the brains for business...and bodies built
for sin.
Eventually
these girls would be called ‘chicas’ which is short for ‘chicaria’ tree.
Chicaria trees were used to make the charcoal on which these women cooked for
their clients. Competition was fierce amongst these women and it wasn’t enough
to be stunningly beautiful and selling what they should’ve saved for marriage,
they also had to cook up a meal to attract customers.
When the
diggers went looking to lose their paychecks, all they had to do was follow
their noses. If they detected the scent of chicaria tree charcoal burning, its
odor very distinctive from other woods, they would say out loud, “I smell
CHICAS!”
So, here
I am, dancing with this striking woman of German-Portuguese-Spanish heritage,
doing everything I can to avoid getting wood. I am a forty-something man in a
room full of people who don’t get out much. Everyone is my age and we’re all
from small towns in northeastern Pennsylvania.
I am so
new to dancing I can’t even make my feet do cha-cha-cha
after six weeks of lessons…and I’m certain Lady GaGa and I are hooking up!
After
nine weeks and the end of the class, my friend Bob sidles up close to me and
asks quite stealthily, “How’d you keep from getting a hard-on?”
Once again
I tell the story how I had to recall being a river guide in the Adirondack Mountains
in the early Spring, when I had to dive into the frigid waters of the Moose River. He
withdraws and is impressed with my ability to maintain my composure in the face
of such tantalizing sensuality.
This is
the end of the class and this where I first became acquainted with the reality
that all dancing does not lead to sex. That was nine years ago.
It took
me years to look at people moving and see the hard work they had put into their
dance. They do this because they love to dance, not because they want to be sex
machines.
Often I
find myself dancing with a tanguera and I notice immediately that she has put
so much effort into her dance that I am in awe. It is difficult for me to rise
to the occasion and be the kind of dancer she deserves; sometimes I do and sometimes I don’t. Whether I do or not is
irrelevant. What matters now is that I have the utmost respect for my partner.
I now know I must treat her like any decent human being would want to be
treated and not like some sex machine.
Note: for an in-depth look at what men think while dancing with women, read my book, River Tango, available here: http://www.amazon.com/River-Tango-perri-iezzoni/dp/1453865527
Really great article! Was like reading part of a novella ...
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