Saturday, February 16, 2013

Women Dance to Find the Flower


               I think for some women tango is a journey into themselves, to find and understand that part of them that attracts men. It must be a difficult voyage and I honestly can’t say what is going on with these tangueras. I’m fairly certain they couldn’t tell you either. I dance with these women all the time. Their skills are usually low but their passion is intense.
               Women are flowers. Some grow in the jungle where there are many and the competition is fierce. Some grow in the mountains, like my favorite, edelweiss, the mountain flower, where there are not many other flowers.
               I love edelweiss.
               When I was young, I lived in the mountains and took edelweiss for granted. As my children grew older and after my divorce, I found tango and went to the cities of Philadelphia and New York searching for ‘jungle’ flowers. I was surprised to find that I found few ‘jungle’ flowers fulfilling.
               I also found a lot of edelweiss.
               When I dance with these mountain flowers it is usually a struggle unless they have reached the end of their journey and discovered who they truly are: a beautiful bloom that just happens to grow above the tree line. As a responsible tanguero I believe it is incumbent upon me to assist these women on  their trek to ‘find’ themselves.
               I have to ask myself, “beyond offering my services as a dance partner, what more can I do?”
               Blogging is like psychoanalysis. Eight paragraphs into the post and I finally discovered what the real question is that I wanted to ask.
               I think a woman, when she first embarks on this journey, a trip to reaffirm that she is a flower and that she can still attract bees, is vulnerable. As a man I am tempted to seduce her but I know that would end up being a hassle and more. Besides, I am not like that anymore. I try to be the kind of man my daughters think I am: a noble person who does not take advantage of people when they are in dire need. Being older is great!
               I’ve tried explaining to these ladies what, to a man, is obvious: all men are just one bark away from becoming a hungry, uncontrollable wolf.  I feel stupid for even trying to console them. They are tangueras and they are special. They are smart enough to recognize pity and that is not what they are looking for, they’d rather have the ‘pass’.
               From my many conversations with tangueras I now know that the ‘pass’ is a sign of power. To have the ability to compel a man to risk an invitation to a possible relationship is truly intoxicating for a woman. As they grow older, the intoxicating effect increases as well, not like wine which mellows with age, it is more like a well-blended scotch: liquid fire!
               The pass is likely to be offered by a younger tanguero. It is a phenomenon I just noticed this past weekend. There were many young men attending our workshop. As I talked to the more experienced women in our group I was amazed to find that they couldn’t believe the college-aged males enjoyed dancing with them. I am often left speechless when I realize how little women know about us guys!
               Permit me to stray off course a little as I try to offer more data on this well-known fact: younger men dig older women; they represent the possibility of sex without commitment. Having been a young man once myself, I can tell you that having to constantly deal with our raging sex-drives is like wrestling a tiger almost every moment of the day. If we give up the struggle then society pays. We commit crimes of passion and eventually end up in jail or dead, sometimes even happily married…go figure:-) Just to be with a woman who represents the opportunity to get that tiger off our backs is intoxicating. The mere thought of such an encounter is liberating.
               Blah, blah, blah, I digress. I’m back on track. So, what can I do? The answer is: not much. She is on a journey that only she can say when it is over, that she has found the answer she is looking for. All I can do is be there for her, to dance with her and help her find her own balance. The rest is up to her.



 Note: For an in-depth look into the mind of the Kayak Hombre, read his book, available on Amazon: http://www.amazon.com/River-Tango-perri-iezzoni/dp/1453865527/ref=sr_1_1?s=books&ie=UTF8&qid=1369366756&sr=1-1&keywords=River+tango


Thursday, February 14, 2013

The Dark Secret of Tango


               The dance of tango is usually paired with danger but it is also associated with an individual suffering from a deep, personal pain. For some the traumatic experience lasts such a long time that they cannot imagine living without the constant hardship. It is a strange phenomenon of the human condition.
               I’ve heard of people who choose to stay with a soul-searing soreness rather than discard it because they are more afraid of the unknown, a life of freedom from their ‘monkey’ that is always on their back, digging into their flesh, their nerves and often into their very soul.
               Tango allows you to remember these aches, whether they are with you still or lost long ago in a vat of wine or along the path of a diligent effort to escape them. This is a phenomenon of the dance. The reason for this is the necessity of the dancers to connect to the music as well as to each other.  To make this connection, a dancer must be honest with himself and with the music. Tango music is often full of painful stories and to deny that you take comfort in this would be a lie…to yourself and to the music.
               It is this confrontation with the truth that sets you free yet keeps you coming back forever.


Note: Check out my new book on Amazon: Fear of Intimacy and the Tango Cure.





 Note: For an in-depth look into the mind of the Kayak Hombre, read his book, available on Amazon: http://www.amazon.com/River-Tango-perri-iezzoni/dp/1453865527/ref=sr_1_1?s=books&ie=UTF8&qid=1369366756&sr=1-1&keywords=River+tango


Friday, February 8, 2013

Repost with new introduction: The Secret History of Russian Women and Tango

I am reposting this because of an improved appreciation for Russian culture after our Daniela Arcuri workshop in Durango. This comes after I listened to an NPR story about the director of the Bolshoi being attacked. Until this week I never full appreciated how much the Russian tangueras I danced with loved to dance. They come from a culture that reveres dancers just as much as Americans worship singers.

Sunday night, after the workshop, we dined with our master teacher from Buenos Aires and she related her world-wide travels and her impressions of the different peoples she met. It was through her words that I was inspired to let go of my distrust, instilled in me during childhood. I grew up in Cold War America. We were taught to be suspicious of Russians through teachings in our schools and via our TV shows, like the cartoons featuring Rocky and Bullwinkle, a flying squirrel and a bipedal moose.

Tango for me has been not just an education in the dance but also enlightenment for me to people of other cultures. It has always been a struggle for me to resist the bigotry our culture tries to imbue in us; I guess that's what makes me an American. We are a bipolar people, despising the immigrant whilst simultaneously loving the immigrant culture.

A Russian tanguera once told me how sad she was that the United States government depicted Russians as a group of unhappy people. At the time I thought she should just get over it. After all, Serbians are still mad at the Turks for an invasion that occurred over 700 years ago. I was tempted to tell her that it took America 100 years to grant African-Americans civil rights after we fought a war over whether or not they were people or property and that it would take us at least as many years to forget the Cold War. Fortunately for me I kept my mouth shut: I learned that from tango:-)

I am not claiming to be enlightened but I am saying that I can see the light and that I strive for it.

So here is my repost of the Secret History of Russian Women and Tango. Enjoy:-)

                I would be remiss in my duties as a writer if I did not mention the prevalence of Russian women in the American tango community. I have always felt I was ready to write about them but I sensed that I needed to do more research. The more I learned, the more I realized that they are so diverse, complex and fascinating, I am sure I could study them forever. At some point, I had to make a decision to comment about them and that time might as well be now.
               This dance is so multicultural, on so many levels, that finding an ethnic group represented is not unusual. However, when you consider that this is a Latin phenomenon and there are 196 countries in the world, then the high concentration of northern Eurasian females doing it, does seem a bit odd.
               I suspected I would be writing this piece soon, so I began to throw some thoughts out at the Russian tangueras I ran into at tango events. One lady’s husband, who is Russian, said Eastern European women are very competitive. She disagreed, saying they are only competitive in Eastern Europe. I talked to a dear friend, a Russian, and she said there is no competition for her…and I knew she was right; when she walks into the room, the men follow her around, hoping to make eye contact.
               When I considered the two statements, I knew I was on to something. Let me see if I can’t try and capture it. It is fleeting, like a spark from a flint when someone is trying to build a fire.
               There are many similarities between Russian society and Argentine society. The economies of these nations are always struggling. They are both very sexist cultures. My friend said she grew up with tango music and that it was played all the time in schools. So, too, in Argentina! Both are very well-received in America.
               Russian women have to be very adaptable in order to survive; so, too, for Argentine ladies. Russian women are very passionate and are driven to learn tango but they’ve got nothing on Argentine tangueras who I imagine packing pistols in their purses to ensure their boyfriends behave.
               The answer is obvious: Russian women are cosmically displaced Argentine tangueras with suppressed memories of an emigration from a southern Italian province in this life or a previous one. Quite a leap, I know, but I am not bound by any rules here: this is a blog. This would explain my fraternal feelings for a Russian tanguera in my practica group; she thinks she’s from Russia, from somewhere around the Volga River, but, according to my cosmic-memory-suppressing formula, she is really an Italiana from Mutignano. We could be cousins because my dad is from Abruzzo. 
                Italians were one of the largest groups to emigrate to Argentina. Most came from the southern part of the peninsula, from provinces like Calabria, Campania, Apulia, etc. It is hard to imagine how my displaced Italiana friends ended up in Russia, but I will try because I love them all so much!
               In 1294, though it is not recorded in the annals of history, Marco Polo’s uncle Maffeo, led a company of Venetian outcasts from the town of Pescara, in the Abruzzo region of Italy, to Russia. They were a ragtag band of gypsy dancers who made a living running pizzarias on the islands of Venice. One day, a homely ‘Pescarina’, nicknamed ‘Mama Luigi’ because of her thick mustache, kidnapped Tuboletto “little pipe” Borgia, Lucretia Borgia’s gay cousin, and kept him in a cage as a pet until the authorities caught up with her and exiled their whole tribe.
               They finally settled in a small town outside of Moscow, known as Pizzollya, where they lived and danced, happily making pizzas and singing songs about Mama Luigi. They were displaced by Stalin during the 1930’s for writing subversive messages on their pizzas using olives and pepperoni slices. Part of the town was relocated to the Siberian hamlet of Blagoveshchensk. Pizzollyans from the renowned ‘West End’ of town were relocated to Nikolskiy, a small village in Kazakhstan. A third portion was removed to St. Petersburg.
                The final group managed to avoid deportation because their women were just too pretty to allow this to happen. When the soldiers came to take them away, they merely asked, with eyes wide, “You want to take us away?”
“Yes.” The soldier replied.
“No,” they would respond, “you don’t want to take us away.”
Mesmerized, the soldiers would answer, “No, we don’t want to take you away.” 
"Okay, you can leave now," the girl would tell them and they would leave. This same script was repeated for each of the houses on the northern side of Pizzollya.
               The name of the town was later changed to ‘Piazzollya’ meaning ‘without Pizzollyans’. Eventually, young Astorovich Piazzollya would make the trek from exile to the homeland his heart knew existed, in Argentina, and begin composing the most beautiful of all tango ballads under the name ‘Astor Piazzolla’.
               I talked to another Russian tanguera last night at practica. I told her Russian women are very self-disciplined. She corrected me and said, “No, it is passion. I do this dance because I am very passionate about it!” Water welled in her eyes as she swallowed hard to choke down the tears.
               ‘Self-discipline’, ‘passion’, I don’t care what you call it, all I know is I love Russian tangueras for it. It is very pleasurable to dance with someone who works as hard as I do to master various concepts of this dance, like ‘barrida’ or ‘volcada’ or ‘boleo’. Last night, after four years of trying, I successfully led contra boleos with ease! Garazh bukhat(I’m trying to convey a Russian expression but it might be Klingon)!
               A key ingredient to enjoying tango fully is to know what it means to struggle. People who have lived in the Tropics all their lives cannot truly appreciate what a joy it is to be warm. Sit in an igloo for an hour in your underwear and you’ll have a greater appreciation for Eskimo women;-) I grew up in a drafty house with a coal stove. When I embrace a Russian woman in tango, I can tell they are happy to be in the arms of a warm-blooded man and that, they too, know what is like to be cold.
               And now my task is done. I have written the secret history of the emigration of Pescarinos to Russia and their contribution to tango music. It was not easy and it is not free….I’ll take my fee in dances, please:-)


Note: Check out my new book on Amazon: Fear of Intimacy and the Tango Cure.


Thursday, February 7, 2013

Durango Tango Amorio 2013: A Success!!!!


               Our event was a total success! I was surprised at how many people were necessary to host a tango workshop weekend featuring a world renowned master teacher from Buenos Aires and a milonga employing a live tango orchestra. The following post is a summary of the preparations that took place and my thoughts about this endeavor which I offer in the hope that others can use this information for their own tango affair.
               The first thing we needed to do was to decide to host the event. After nearly a year of practicas and twelve well-attended workshops I felt that we had all the ingredients necessary to reach for something more. I also had a strong desire to hear the Qtango orchestra play again and had a warm thought when I imagined them performing at a venue in my beloved city of Durango. So the decision was made based partly on logic and partly on desire.
               Now we needed to contact Qtango and a top-level instructor, as well as get both to agree on a date. Approaching the Argentine-born master teacher from Buenos Aires, Daniela Arcuri, was a no-brainer for me. I had taken several of her workshops in the past and, if you read my blogposts, you will know I look to her for direction whenever I feel I am ready to make improvements in my dance. Both artists readily accepted our invitation and agreed on a date.
               With commitments from the artists we began to hammer out what each would accept as compensation. Qtango required a retainer fee to be paid in advance as well as accommodations to be provided for the night of their performance. Daniela requested a plane ticket and lodging from Friday to Monday.
               This is the point where someone has to commit money, which I did. Unfortunately my girls needed some financial assistance the initial week of the commitment which caused me a lot of stress and I found it overwhelming. To be honest, I would have backed out if my significant other wasn’t there to offer encouragement as well as some of her own hard-earned dineros.
               I’m a nervous person. Recently my daughters were overseas, mostly in East Africa, and I found myself online for four months constantly looking for signs of life and their safety. They are back in the United States now but I found it difficult to withdraw from cyberspace completely. This venture gave me a reason to stay in the digital realm and now I must say it: I AM A CYBERHOLIC.
               There I said it and the workshop is over, now I can start walking down the road to recovery.
               Now that the subject of my digital-abuse is out of the way where were we? Oh yeah, we were wondering where we would dance and sing; good, let's continue.
               Our next task was to find a place to hold the workshop and then put together a flyer. My girlfriend’s friend owns a dance studio and she offered to let us use her space. I was reluctant until I saw the space and was sold as soon as I opened the door!
               Daniela, Qtango, my girlfriend and I worked on the flyer. This took almost two weeks. It is a very important process because it determines what others are told is being offered. I probably wasted the most money getting flyers printed but I also gained the most experience and I will definitely save a lot of money, time and effort the next time we produce an event. For those of you undertaking the task at this time, I suggest you forgo using Microsoft Paint to assemble your flyer as it greatly decreases pixel concentration which shows up only when a document is printed.
               As we began to distribute flyers, online and in the real world, we realized how much we needed the help of others. For a two week period we were constantly reminded how important it is to have a community from which to draw support and not just for marketing efforts but also for preparation and execution of the event. We needed chairs, registration sheets, flowers, food, rides to studio, a prize for the drawing, a sign, etc., etc., etc.
               The last two weeks I was extremely busy at work and my girlfriend caught the flu. Fortunately we had prepared well and the final weeks saw the progression of our efforts carried out independently by the dedicated members of the Durango Tango Amorio planning committee.
               Friday was very stressful as this was the night of our free lesson at Four Leaves Winery and Daniela was stuck at the airport. She spent the whole day, starting at 6 a.m., at Austin-Bergstrom International Airport waiting for space on a flight to Denver. It wasn’t until I received a text from her that she was on her way and would be touching down at Durango/La Plata Airport at 8:50 p.m., that I finally breathed a sigh of relief.
               At the winery I put my faith in tango music, gave a brief description of how tango should be danced and hit ‘play’ on my laptop's media player. I guess I was never really alone in my endeavors as long as I let tango guide me. I offered everyone their money back for the free lesson and trusted our individual members to assist newbies in moving to the tango music.
               They done me proud! I think most of our group advanced to another level that night. No longer were they beginner students of the dance, they became experienced guides to aspiring tango neophytes moving about a room filled with wine in fragile glasses. Like bulls in a china shop, glasses were broken and wine was spilled....yet it was a total success!
               The owner was so happy she gave us an extra hour to practice which was just enough time for Daniela, whose flight was delayed another forty minutes, to arrive and give a brief performance with the author of this post, the hillbilly tanguero from Pennsylvania, Kayak Hombre.
               The rest of the weekend was also a complete success. At no point in this process did I ever doubt that the artists selected would perform to the utmost satisfaction of everyone in attendance. It was a lot of work but well worth it. Many people sought me out to express their sincere gratitude for bringing Daniela Arcuri and Qtango to Durango.
               This made me feel very good. Even today, four days later, I experience elation when I recount their remarks. If I had to summarize how I feel after this weekend’s events I would have to say I feel complete. I feel like I am one of the early settlers of the West who sends back East for things that will make his life more bearable out here in the wilderness. Now I have all I need.
               I hope this post is of use to anyone attempting a similar endeavor. If a person is willing to listen to advice that I would give in retrospect I would offer this: don’t wait until you’re ready, begin when you have a community of people who are interested in the dance of tango and trust that tango will help you do the rest.

peace, love, tango

kayak hombre

p.s. I'd like to thank, once again, Judith Harrison for hosting Daniela for the length of her stay as well as for opening her home to other dancers who took their private lessons with Daniela in Judith's living room.

(For a more in-depth looking into the mind of the Kayak Hombre and his thoughts on tango, buy his book: River Tango, now available on Amazon.com at http://www.amazon.com/River-Tango-perri-iezzoni/dp/1453865527 )
 
               

Friday, January 18, 2013

Angelina Tango: Warrior Woman


               Angelina Tango rode her black Ford F-250 down Highway 550 towards Albuquerque. Barreling along at 80 mph the large wheels and heavy suspension struggled to create the impression of control. A sticker on the pickup truck's bumper read, “Silly Boys Trucks Are For Girls.”  On the edge of New Mexico's Navajo Reservation her speeding vehicle painted a disappearing black line in the fading winter sunset in this desolate land of sage brush and tumbleweeds.
               Working as a superintendent for Haliburtons's southwestern gas well operations, she was mentally fried and physically exhausted after weeks of riding herd on hillbilly oil-riggers from Louisiana. She needed to get away, to relax and do something feminine, something social, or she feared she would lose her identity and possibly her sanity. The gas industry was a man's world and she worried that she would become one of them if she didn't get back to civilization for some gender recognition. She was going tango dancing.
               From her large leather purse she produced a tube of hand lotion and squeezed out a dollop onto her hand as she passed two young Navajo bucks stumbling down the side of the road, thumbs sticking out at their sides. Slamming on the brakes she stopped and waited for them to run up to the truck, spreading the lotion over both hands thoroughly, hoping she could soften them up before the dance tonight. She needed to feel like a woman and she didn’t want the men she danced with to react to her rough hands as they often did. 
               As the young men neared the vehicle she wondered if this would be the last time she picked up strangers in the desert. She laughed and unlocked the doors with the touch of a button.
               “Don’t mind the mess,” she said as the two climbed in, one clutching a bottle of liquor, both smelling of cigarettes and alcohol.
               Forty miles later darkness had fallen when she dropped them off at their shack near a mesa, two miles off the highway and down a dirt road. She was glad to be rid of them and their stench but she had done what she thought was right, wondering what their night would have been like walking as the temperatures dropped way below freezing.
               Her thoughts flashed to her two daughters who were in college a hundred light years away, spending her hard earned money. In her rear view mirror she saw one of the men pissing on the side of the shack in a cloud of frosty steam, she imagined her oldest girl, Chloe, with a frat boy stumbling home on her own adventures this night.
               Two hours later she was showered, dressed and parked in front of the dance hall.
               Usually she went country dancing with the cowboys but lately she had soured on the rodeo mentality of the men. That was exactly the kind of atmosphere she was trying to escape. She needed a man but not that kind of machismo.
               Recently she had been learning the tango and liked how close it got her to the men; she like the anonymity maintained by the dancers. She found the men masculine but also civilized.  
               Looking at the steel door illuminated by a yellow light dancing above it on a wire in the chill wind, her thoughts went back to Max, her husband, who was killed by an angry spouse while he was sleeping around on her when she was deployed as an Army chopper pilot in Iraq.
               “I miss you Max,” she said to no one as she sat there in the throne of her truck, “you cheatin’ bastard of a man.”
               With that said she drew a breath of warm air and stepped out into the cold to cross the narrow strip of pavement to the doorway. It was 10 o'clock and the street was deserted but she scanned both directions thoroughly, looking for snipers and signs of landmines.
               Before she opened the door to the hall she freed another button on her silky red shirt just in case the men didn’t notice her. She was almost certain they would, they were, after all, men, primal creatures slightly more evolved than apes and often not as bright. She paid her money to a gentleman seated at a table inside the foyer. She mused that he must be gay because he didn’t look when she leaned over to sign the register.
               Moving to the main hall she felt at home. The room was large, the ceiling so high that it could not be seen in the darkness. The space was illuminated by two large lights hanging above the dance floor surrounded by cocktail tables covered with red tablecloths. Each table hosted a vase with a fake rose and a small tea candle. She liked the ambiance. It was like an airplane hangar in Kuwait without the smell of oil and gas.
               Sitting down at a table by herself she was thrilled to feel that she was slightly nervous. She felt young, adrenalin coursed her veins in anticipation of attention from the men around her. She did not look around the room as she bent over to put on her heels, her breasts dancing inside her shirt like children playing without a care. Her nipples hardened as the gaze of a hungry wolf locked onto her.
               She didn’t need to look up to know he was staring at her, waiting for her to strap on her shoes so he could invite her onto the floor. All of a sudden the hot flash came, much to her annoyance. The buckles secured, she sat up and saw who was staring at her. There were several, it was going to be a good night.
               She tried to smile as she made eye contact and accepted the purely visual invitation but her body had become so hot she hardly felt comfortable. A white-haired man dressed in black walked over to her table and extended his hand; she rose to take it.
               Suddenly she was back in Iraq, in the desert heat, she could hear chopper blades whirring and the shrill scream of massive engines whining penetrating through her earplugs.
               Then she was back, moving towards the gentleman’s chest with her own. With her three inch heels she was just as tall as he. She easily slung her left arm around the top of his shoulders and made a soft landing on his frame. 
              Man at last, she thought, and briefly forgot about everything: her job, her children, her bills, menopause.
               He slipped his right arm under her armpit and around her back, his hand resting lightly beneath her right shoulder blade. His chest pushed firmly but not offensively against hers and his shoulders offered not a hint of tension. She inhaled; he smelled like a man and nothing else, freshly showered.
               Red lights flashed in her mind as the music began to play and she grasped the thumb on his left hand, trying to make as little contact with his skin as she could so he wouldn’t notice the roughness of her palm; she did not succeed. She felt him recoil ever so slightly, his muscles tensed; there was disappointment.
               She began to sweat. She was uncomfortably hot. Her head was spinning. Why did she come here, she asked herself. She thought about cold beer and rock n’ roll music. She began reciting the the pledge of allegiance to herself in preparation for being captured by the enemy. 
               She could hear the music, it was sad, like her. She could barely discern a rhythm when the man began to move.
               Hopelessly she rested on his diaphragm and rode him live a wave on an ocean of despair. The music was relentless, it was so sad and together they became friends because it was more hopeless than she, sadder than she could ever be. Barely aware of the man in front of her she moved backwards through the crowd, trusting him to steer the ship that was them, taking care to stay on her toes lest her heel catch the ground and cause her to stumble.
               A river of emotion flowed out of her and into her partner. She felt relief in having a place for it to go and the room began to cool down for her. The song continued with its rhythm and sad melody. His frame relaxed and suddenly she could sense his intention much more clearly, the disappointment was no longer evident and there was something else, something primal but remote. She listened to his body more intensely to hear a feint sound in the wilderness that was a man. It was barely audible but she could still hear it. It was the sound of a lonely wolf howling softly.
               The song ended and she stared at him meekly, trying to smile unsuccessfully. In tango the dance does not end with one song, there would be more, two, maybe three, before the cortina plays and the two could disengage.
               Another tune began and he presented his hand. She charted a course and landed in the same spot but with more familiarity, with ease and grace. She could feel him swell with confidence and she fed on it like a starving baby sucking on the tit. She couldn’t get enough at first, moving with him to the melody, stopping with him when he paused passionately as he breathed her in.
               Her perfume was working, she mused with an audible sigh, worth every bit of seventy dollars. She began to feed more calmly, steadily, the river was flowing back in her direction. She could tell he was feeling the music, letting go of his own emotions, relaxing into her embrace and moving with certainty. 
               She imagined a wolf running through the snow of an open field. He wanted her.
               The song ended and she stood there again trying to smile. She did not manage it but she was able to look into his eyes and try to express her gratitude for making her feel like a woman again, to let him know that he was……he was winning.
               Another song began and she melted into him. The tune was sad, sadder than the previous two selections. She closed her eyes and let him lead her to the melody, through the crowd which then disappeared. She found herself on a boat in the ocean at night. The waves rocked her gently. She became warm again but it was not a hot flash this time, it was a soothing warmth and she bathed in it like a hot bath.
               In his embrace she felt safe. He was confident and hungry for her. She felt like he could protect her from the others in the room so that he could devour her all by himself. She wanted to be his meal, to feed him in return for what he had done for her, for helping her to remember who she was once again…a woman, not just a worker, a mother, a paycheck. She was half of something wonderful and she was alive in a world full of promise, full of things that could happen, joyous things, horrible things, any thing. She could go on again.
               The song ended and the cortina played. She found it awful and shocking, part of some rock n’ roll tune. It was the cortina, definitely not tango.
               Almost smiling, she said to her partner, “Thank you, thank you very much.”
               Wobbly kneed she made her way back to her table and sat down, the room spinning. Fixing her eyes on the flame from the tea candle she exhaled completely and said to herself, “I needed that.”
               Leaning back into chair she could feel the eyes of another wolf upon her. She met his gaze without fear and waited for him to come over and to be devoured once again.

Wednesday, January 16, 2013

Salsa, Guns and Tango


               When I was a whitewater river guide it was not unusual to run into hillbillies with guns. More than once a shot was fired in my direction but not with the intent to kill, only to put the fear of God in me. Whatever the intent, the act was irresponsible and dangerous.
                I became interested in dancing when I saw a movie, Born Romantic, that featured salsa dancing at a club in London. I was no stranger to guns when I finally learned how to salsa dance. I was not surprised when I was searched for weapons with a metal-detecting wand at many of the salsa events in the towns on the eastern half of the Pocono Mountains of Pennsylvania. A lot of New Yorkers lived in these communities and they were well-versed on the latest security procedures used in the night clubs of the Big Apple. Coming from the western side of the Pocono Plateau, I assumed everyone had a gun and that the desire to keep them out of the places where people danced was a good thing, especially since I was usually the only gringo in the hall.
               After a year of searching for a decent place to dance salsa, I decided I was doing more harm than good. My presence at many of these events caused the participants a lot of discomfort. Though I was never approached, I rarely danced. The men were uneasy because they felt obligated to protect their women from the outsider and the women were on edge because they knew the men were going to do something stupid on an occasion where everyone was supposed to be relaxing after a hard week of work.
               All I was trying to do was to find a place to dance, the style did not matter. When I started, I assumed there was dancing everywhere. I learned that a good dance place was a very special thing and a lot harder to find.
               Once I quit salsa dancing, I tried ballroom and swing. I found a good swing place in Allentown (http://allentownswing.org/) but the ballroom dancers were either too snotty or too old. Shortly after I found the good swing club I took up tango.  
               Today we have a big debate going on in our country about guns in our society. It is my experience that the people with the guns are afraid. Folks that move up to the mountains from the city are fearful of wild animals and the absence of law enforcement officials. Small town Americans going to the city are certain they will be attacked by gang members, drug dealers or worse, so they bring guns with them whenever they move to Urbana.
               Unfortunately these are not the people having the debate. The people for and against gun control are the braggarts and gun manufacturers on one side and the victims of gun violence on the other. Eventually the former group will lose because our cavalier attitude towards weapons ensures an ever growing pool of victims.
               The braggarts have no fear because they have not yet experienced pain. They are usually single men with few responsibilities and very little to lose except their guns. There are responsible gun owners but they don't do enough to counteract the stupidity emanating from the young bucks among them or from the  firearms industry. 
               The victims of gun violence essentially become the walking wounded. They have no fear because they live in constant pain and cannot be hurt any worse. I meet them when I dance tango. Their agony is evident and deep but they do not want to talk about it. To discuss it brings them anguish which is one of the many reasons we should not talk when dancing tango. The hurt usually forces them to withdraw for a while from the community but they eventually come back, sometimes through tango and always as forceful advocates against the proliferation of guns.
               It is my belief that many people come to tango because they are wounded. They are in need of healing and tango welcomes them, literally with open arms. They are saying, “Hold me, I am hurting. Let the melody carry my pain for a little while and allow me to relax while I enjoy the warmth of your body. I will listen to the sound of your breathing and try to remember what it was like to live without this constant ache.”
               

Tuesday, January 15, 2013

Durango Tango Amorio: Feb. 1-3, 2013 with Daniela Arcuri and Qtango Orchestra


               Argentine tango is a style of music and the social dance that accompanies it. While a version of tango is performed in professional ballroom dancing, a social style is practiced in communities all around the world that is much more intimate and passionate. Social Tango, as it is known, is much less rigid than its professional cousin.
               On Feb. 1-3, Fri-Sun, Daniela Arcuri, Master teacher from Buenos Aires http://www.danielaarcuri4tango.com/ will be conducting an Argentine Tango Dancing workshop weekend beginning Friday night at 8:00 p.m. at Four Leaves Winery in Durango, Colorado. She will teach a free lesson and other milongueros, people who dance tango, will be practicing their moves for an open social dance with live music on Saturday night.
               The music will be performed by Albuquerque’s well-known tango orchestra, Qtango. http://www.qtango.com/QTANGO.html
               The workshop classes begin at The Dance Studio on Rt. 160, on the Durango southern city limits, Saturday, starting at 12:30 p.m., followed by a milonga beginning at 7 p.m. A ‘milonga’ is a place where tango is danced. Sunday the classes continue with Daniela plus a special musicality class taught by Qtango band members, Erskine Maytorena and Olga Tikhovidova.
               Dancing is a great way to lose weight and relieve stress as well as to improve coordination and confidence in how you present yourself to the public. It is a great mental exercise that will keep your mind active, improve circulation to the brain and help stimulate your memory when you choreograph a personal interpretation of a song with  your partner. It is also a great way to meet new people.
               Singles and couples are encouraged to attend as no partner is needed to learn fundamental tango skills and a dance with strangers is usually an integral part of the social tango experience. Switching dance partners is suggested during class but by no means is it a requirement.
               For more information about tango in your the Durango area go to: http://www.tangodurango.com/ or find them on Facebook at https://www.facebook.com/groups/353689751341313/